Wine and Le Style Anglais

When authors or publishers get to a certain age, roughly 37, they are issued with a shapeless blue linen jacket. They then fill the pockets with books, papers, tobacco and various literary ephemera to make it more shapeless still. Men in the literary world are not known for their sartorial elegance so I was very impressed when I started attending wine tastings how well dressed everyone was. The first I went to as a wine blogger was a Brunello tasting and there was the Machesi di Frescobaldi immaculate in tweed and silk. And it wasn’t just him, his PR man John Franklin was wearing a nicely cut grey flannel suit. I felt scruffy, whereas in publishing I was thought to be quite the dandy.

The wine trade is one of the last hold outs for Le Style Anglais, that idealised version of English fashion developed in and around St James. It consists of shirts from Jermyn Street, shoes from Churches, suits from the Savile Row and a tweed jacket with red or mustard yellow trousers from Cordings. Noted devotees of this look include Jacques Thienpont from Chateau Le Pin and Javier Hidalgo from the sherry family who was immaculate in a three piece Prince of Wales check suit at the Great Fortified Tasting last year. One of the most charming things about Le Style Anglais is how the Europeans get it slightly wrong – everything is too new and too sharply cut with not enough smell of a dog blanket in the boot of a Volvo 240 estate. This uniform is a throwback to when the British dominated the global wine trade so it was fashionable to ape their look. In 18th century Porto some of the locals even affected speaking Portuguese with a British accent.

Until very recently it seems that the British hold on the sartorial standards of the trade was absolute. If you were in London selling your wine then suits or tweed ruled. A couple of summers ago, however, I glimpsed the future. I was walking down Brick Lane dodging the restaurant touts, looking for the RAW wine fair when I spotted a crowd of men who didn’t fit in. Their faces were weathered, they smoked intensely, they were scruffy and a little drunk. At first I thought they might be hipsters, or indeed vagrants, but they were speaking French – vignerons!  The look is the same, beards, check shirts, and a certain unwashed smell. Previously when the French came over to sell their wine they would dress up, now they were dressing down. I couldn’t work out whether hipsters dress the same as wine makers or the wine makers were in fact hipsters. Or perhaps they were dressing up as hipsters in order to sell their wines and then went back to the usual beret, Bretagne sweater and onions when they across the channel.

I see the Natural Wine Movement as a reaction against Anglo wine establishment. Is it any wonder that you rarely see natural wines from the Douro or Bordeaux? Its spiritual heartlands are the places with the least British influences, Burgundy, Beaujolais and the Loire. They are supported by a network of American writers and bloggers, it’s like the American Revolution all over again. This is reflected in the wines but also in how the producers dress. It is the French sticking two fingers up to the English. But it’s not just the French being difficult, there are those who see Le Style Anglais as evidence that wine trade is too male, too stuffy, too out of touch. The red trouser is the symbol of that most reviled of species, the wine snob. The Telegraph wine columnist Victoria Moore explicitly outlined this in a recent column on the new wave wine merchants: She wrote that the wine trade has traditionally been “A bastion of red trousers and thick third sons.” For natural wine fans and trendy wine merchants, scruffy attire is a sign of egalitarianism.

Now nobody likes equality more than me, but I don’t want to see the wine trade lose one of its most distinctive features. Can’t men be unsnobbish and still dress well? And don’t forget, wine bores come in many guises; they not always men in red trousers; the most condescending person I’ve met was in a trendy wine shop in the States. I’d hate to go to the Great Sherry Tasting in 2017 and find everyone dressed as if they work in a second hand record shop or, worse still, as if they’re attending a literary festival. Brothers! Keep the red trouser flying!

Postscript:

I went to the Great Fortified Tasting last month and I was delighted to see how much tweed there was on display especially from the Portuguese.

This article originally appeared on Tim Atkin’s Website. 

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About Henry

Henry Jeffreys was born in London. He has worked in the wine trade, publishing and is now a freelance journalist. He specialises in drink and his work has appeared in the Spectator, the Guardian, the Economist, the Financial Times, the Oldie and Food & Wine magazine. He was a contributor to the Breakfast Bible (Bloomsbury 2013) and his book Empire of Booze: British History through the Bottom of a Glass was published in November 2016.
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3 Responses to Wine and Le Style Anglais

  1. Lorie Honor says:

    As usual..love it. When a rep. comes to do a tasting at my shop wearing a suit I usually make him take his jacket and tie off and mutter something like, it’s a wine shop, not a gd bank!), but then their not as well turned out as your Savile Rowers and more in line with a well stuffed-pocketed wine writer! BTW, love the 240 DL smell…Have been married to one for ages!

  2. Lorie Honor says:

    Ooops. “They’re” NOT “their.”

  3. Pingback: Repose-pieds en tissu de « style anglais » classique recouvert de cuir marron foncé avec des pieds boules, 45 cm de long x 33 cm de profondeur x 20 cm de haut (Import Grande Bretagne) | Poufs Et Repose

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